Despite the stated wishes of the VVMF, Lins design proved instantaneously divisive. The "Black Gash of Shame"Revisiting the Vietnam Veterans Memorial After watching the movie The Deer Hunter, Scruggs apparently stepped up his activism even further, using $2,800 of his own money to form the Vietnam Veterans Memorial Fund in 1979. 10. At the time of the memorials design, many veterans who had been exposed to Agent Orange, a chemical weapon used by the U.S. military as an herbicide and defoliant, still suffered ongoing health problems. Then, in October 1980, veteran and lawyer Tom Carhart, also a former supporter, testified before the Commission of Fine Arts against the design, saying that One needs no artistic education to see this design for what it is, a black trench that scars the Mall. document.getElementById( "ak_js_2" ).setAttribute( "value", ( new Date() ).getTime() ); JSTOR Daily provides context for current events using scholarship found in JSTOR, a digital library of academic journals, books, and other material. Although such incidents were rare, the stories were often repeated among U.S. soldiers in Vietnam. The launch of the Tet Offensive by North Vietnamese communist troops in January 1968, and its success against U.S. and South Vietnamese troops, sent waves of shock and discontent across the home. Why was Lin's Vietnam Veterans Memorial initially controversial? In contrast to the air attacks on North Vietnam, the U.S.-South Vietnamese war effort in the south was fought primarily on the ground, largely under the command of General William Westmoreland,. To communicate a vision, the successful architect often will use both writing and sketching, because sometimes a picture is not worth a thousand words. Hickman, Kennedy. The shift, however, did not represent a resolved conflict between public art and public memory and memorialization, but merely a temporary relocation of the site of debate. These meanings serve as unifying forces, reinforcing the idea of a shared national identity and healing rifts in the communal experience of nationhood. She had entered VVMFs contest as part of an assignment in her undergraduate course at Yale, focused on funerary architecture.
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